Monthly Archives: August 2009

My phantom limb
Reels in the whirling north sea

while all I do
Is touch my lips

Drawing out
the philtre’d memory of your

Kisses like symphony
and of crimson texture.

White heavenly embers
have traced your figure.

Each speaks
Your skin’s shape.

Your smile is immortal in you.
After all,
It was your eye’s smile
Assured me this love true.

Kisses like symphony
and of crimson texture.

Your smile is immortal in you.

Haiku flu during dinner with Joshu

The wind’s cut,

and the dust is aromatic.

summer gorgeous.

***

I got burned when

the cold circle of the sky

said, hello, this is the darkness.

***

reflection of the moon

in the black pool,

looks good enough to eat.

***

sometimes i dream

i am a droplet

rolling off a silky leaf in the jungle.

***

bald rubber,

rocky highway,

phantom rolling off the rubble.

***

When I write Haiku

I am Roshi Joshu Jushin

and I place Mu in a glass of water.

Today brought carriages running up the boughs of trees

The streets here look like newly paved black gold

Lined with moss speaking conquistador’s beards

The Americas aging to god knows what

And the conquests have hardly begun.

Today brought carriages running up the boughs of trees

Forward through all directions, endlessly.

Mother Progress weeps dumbfounded, abandoned.

To all Copper and Clay

I address this new age, and I salute your flexibility.

Night no longer possesses inhuman demons.

Only true light.

Sweat cools in this heat.

Heat the Spanish ate

While the nude west sweats before the smartly kindled flame.

Insects tilt their noise towards gilded leaf.

…Elephants still cross the Alps, I’m sure

And Hannibal unites banners of several gods

With few words sans promitto.

…Impossible for this to be the same sun!

Our native sun pale green, as copper at sea!

We have been cleaned, abolished of our heir!

Lex talionis padme hum…

pedestal

now before she brings the whole body to me

the night is long in the meadow grass

without rays of light skin invisible of sex-kitten falling out of love

model of cryptic body symbol as revelation

just moon-walked into tantalizing famed position

her carnal crown rusting purple

breathing lust and aromas with her cheap surgical mask

and a wispy tone of voice asking to share my human side

with all the fears of potent harmonic motion permeated

the gatherings of blue shades

dark nights

when the black night imposes shadows comes across and clothes the opposite house

every minute is counted as temporal blindness of my innermost spirit

that refuses to post anthems and lamentations as it cuts the corners of my soul

and since darkness belongs to the domain of death floats narcotic to the distant dreams

to find new faces new masks new voices with arms of woman and myth of lips

crossing the bridges of shades and abstractions of forgotten memories

the trees have become souls, the street has become an absence of forms

now the rain comes and plays its inaudible aria sensual epilogues to the windows of the world

the night ,the night, her. i am in her arms for ever

unmarked stones

when the aegean sky bends its horizon to touch your hills and your mountain tops

no shine breathing life into your crevices expecting the low light surrogate

of your phospherized rainbows retired masterpieces of the opaque sand

words unfinished manuscripts ever -widening circles of melancholy to arrive.

progenitors of my metric life

touchstones without climax

a lavish heart raided by the wind

confiscated by your el greco beauty

constructions of light lyrical tones

recreating lucid pipe dreams

streaking away to the unknown journeys

rendering glowing sea waves with aqua purity

rasping sexographs of existentialistic resonances of self

and now the first shadows died

your sensuality an opening,a promise,a moira

a stone a cross of love

woman,sea,fire, all payments of heart with blood

and night and rain yet to come

Yes, Oyster petals,

Yes, Oyster petals,

irridescent and of the sea.

my voice seems clearer
when i break out
the bottle; i seek such  flower
as you.
similar in day as in night.

what great poet shall spit at me today?
of what shall it consist?
dining with great devils
can confirm anything and all
through small talks,
in naught thoughts collected
in halls of tall proportion and
sculptures of an hour.
Eliot declares i reek of tins
evaporated of their oil.

So To the River Excrement,
my great friends,
amistad de facto,
mis compatriotas,
my fig leafed and gifted
of days never existed.

To where i give up my luck
in a trough of black cigarettes
all vertically threshed, packed
together in imitation of the
wiry heads of your children,
O River, my lecturer.
[Your children who’s shoulders touch.
who’s lips are pulled tight along
sephia teeth from the recitation of your
cuttlefish inked poems,
its squared metre snapping glossolalia
into familiar
cursed ears…y altro argonauta]

“do not fear,”
was once declared to me.
“infinity i guarantee
but a timeless eternity you may never see.”