Monthly Archives: March 2008

Birthday Bash Book Brawl

Hello everyone, springbooksale.jpg

Thank Goodness spring is here!
Wouldn’t it be nice to curl up on the
front porch, enjoying the early spring
sun’s warmth and indulge in an award
winning romantic suspense?
Wo-wo-wait! How about indulging in a FREEEE award winning romantic suspense?

Okay, I’m soliciting… but I would like you to check out my book contest I’ve got going until the end of March. Afterall, it IS my Birthday and I like to share the gift of giving. :-)

http://www.romancedesigns.com/contests/rebeccacontestfeature.cfm

Have a good da, y’all!

Rebecca~

The Pilgrimage (Complete and Free!)

Dear readers,

You can now browse the full edition of The Pilgrimage (courtesy of Harper Collins).

http://browseinside.harpercollins.com/index.aspx?isbn13=9780062512796&WT.mc_id=biWidget18136738-bde4-480a-863f-4a117f947e5a

Therefore, you can read the first pages (or the full edition). This link will be there till the 10th of April. On the next months, we are going to have full editions online of all my titles published in English.

Love,

Paulo

FAREWELL ALEXANDRIA

As the sun rises over the Egyptian coastline, one of the world’s largest yachts steams towards Alexandria. Standing on it’s upper deck is Julius Caspard, billionaire oil tycoon and philanthropist who is returning to the city where he was born on his 80th. birthday. And as he gazes at the approaching waterfront, he recalls his youth as an impecunious Armenian bank clerk in what was then the most glittering city of the Mediterranean, and of his frustrated but ever haunting love for an 18 year ols heiress before his subsequent escalade to immense riches and worldwide recognition.
Set against a changing backdrop of prewar Egypt, of Paris, London and New York in the sixties and seventies, of terrorism in the Middle East and famine in Etheopia, all the aspects of human strengths and frailties are brought to life in this international three-generation saga where a dramatic climax redimensions a man’s destiny

Give it a Week

‘Give it a week’ is a piece of advice I heard many years ago when I was starting out as a freelance writer. I believe the phrase is commonly used in advertising agencies, though as I’ve never worked in one of these myself I can’t confirm this – I simply read it in a book, the rest of which I’ve long forgotten.

Anyway, the idea behind the expression is that, before signing off any piece of work, you should put it to one side for a week. When you return to it, with fresh eyes you are almost bound to see ways in which it can be improved.

Of course, in our frenetic world, you may not always have a week to spare – but even if you can only give it a day, the principle still applies.

I have always tried to apply this guideline in my writing, and when I haven’t I’ve often regretted it. I think there are two reasons why it is such a worthwhile principle to follow.

First, you return to the project with fresh eyes. It’s a well-known fact that if you spend hours continuously working on a project, you become so close to it you no longer see ‘obvious’ mistakes and infelicities – e.g. repetition of the same long word within a couple of sentences. This is otherwise known as the ‘can’t see the wood for the trees’ phenomenon.

But, even more important, if you leave the project for a while, you give your intuitive right brain the chance to come up with its own suggestions. Readers of my course Write Any Book in Under 28 Days will know that I’m a big believer in the right brain, left brain theory – the idea that we all have in effect two brains, a rational, logical left brain and an intuitive right one.

The right brain cannot communicate directly the way the left brain does – instead it works by sending ideas bubbling through in dreams and moments of inspiration. Giving the right brain time and space to work often results in better ideas than if you just sit down and try to complete an entire project in one sitting.

Personally, I find that a lot of my best ideas come when I am doing something totally unconnected to writing. Best of all, for some bizarre reason, is gardening, but shopping, walking and driving are also good. On the other hand, I can’t say I have ever had any especially good ideas whilst watching TV – I think it’s because television occupies all our senses and drowns out any attempt by our intuitive right brain to communicate with us.

Anyway, my main point is, when you think you’ve finished any writing project, if you possibly can, set it to one side for a week, then return to it for a final revision. I’ll be amazed if you don’t find mistakes you didn’t notice before, and sections you can polish and sharpen. If you don’t have a week, give it a day at least, but any break before tackling the final version is better than none. Otherwise, I can guarantee that, soon after pressing the ‘Send’ button, you will think of at least three ways the work in question could have been improved!

De-iced, now What?

It was as if she were a comet,
then he,
then she,
on and on, orbiting
faster and faster,
first gathering ice, then burning
it away by veering close
to the sun.
First he,
then she,
then up for grabs.
Neither chose to be
a comet. Certainly
not a pair.
What, and be content
to find pieces of oneself
flying into ether
while others loosen
from their moorings?
Admit the stratosphere
made him tingle,
and her.
Hot what she wanted,
and he.
To fly at supersonic,
nay, supernatural,
speed.
If not melt and join,
come dangerously
close to touching
the untouched
in her,
in him.
Skin sloughs, tough.
Flew, didn’t we?
People gasped
as they looked up.
Now what little’s left
has hardened
or shattered, perhaps
beyond repair.
Ah, well, sighs,
she, sighs he,
got to feel
the high.

~~~~~~~~~~
~~~~~~~~~~
(c) Phyllis Jean Green, 2008
A l l Rights Reserved

THE JOURNEY OF THE SOUL

Basically, human development is concerned with working out inwardly our experiences of the external world and thereby developing the inner qualities that makes us human.

While the external world provides the initial experiences, it is within our inner nature that the work that carries us forward has to be done.

We have to wrestle with our problems inwardly, as in the dreams and active imaginings that have been described. When these inner activities emerge into consciousness, a person experiences not only his outward path through life, but also ‘an inner journey of the soul’. We never see the world as it is, but rather as we are!

We make this ‘journey’ not only as individuals; it is also the path that humanity as a whole has to follow. Some of the world’s great literature portrays this inner evolution of humankind.

Dante (Dante Alighieri: 1265-1321), in his ‘Divine Comedy‘ describes being in a dark wood (which denotes his spiritual confusion) when he encountered Virgil, the symbol of human wisdom, who brought Dante enlightenment by conducting him on a tour of the soul states of humankind.

Virgil first took Dante to hell, which was reached through a wide funnel penetrating to the centre of the earth. Here Dante saw the dark forces which humanity experiences and the fate of those who succumb to them.

Virgil then took Dante to purgatory, where souls work out their destiny in seven journeys, each of which purges one of the seven deadly sins [(1) vainglory, or pride; (2) covetousness; (3) lust, understood as inordinate or illicit sexual desire; (4) envy; (5) gluttony, which usually included drunkenness; (6) anger; and (7) sloth.]

A feminine figure in Dante’s life, Beatrice, then appeared. Dante had loved Beatrice in an unfulfilled relationship before she died and Beatrice therefore became his symbol for the higher, spiritual, side of Dante’s nature.

Because of his love, Beatrice sought to help Dante find spiritual enlightenment. It was she, who had sent Virgil to conduct Dante through Hell and Purgatory, and now she herself conducts him through the realms of paradise. Here Dante’s vision is awakened to the states of blessedness that those who strive spiritually for the light.

Johann Wolfgang von Goethe’s (1749-1832) ‘Faust’ portrayed a similar ‘journey of the soul’; more specifically, that of modern man searching for spiritual satisfaction.

Faust, symbolising modern man, seeks satisfaction in the material world through knowledge and power, to gain which he has to make a pact with Mephistopheles.

He, however, fails to find spiritual fulfilment along this path and, at the instigation of Mephistopheles, turns to sensual and emotional pleasures, which also fail to satisfy him spiritually.

Faust next seeks spiritual goals through occult practices but these too fail him.

Finally, he turns to carrying out good works on Earth, but even these prove illusory.

Faust is a lost soul, but is saved after his death by the intercession from heaven by Gretchen. He had seduced and morally destroyed Gretchen during the sensual and emotional stage of his quest, but there had been an element of truelove between them which Gretchen, the symbol of his spiritual strivings, uses as a basis intervening on his behalf.

We are but forever searching, learning, and falling. Life will test us until we have learned our lessons and are finally equipped to move on!

Willie Maartens

http://www.authorsden.com/williemaartens

Book Review: A Brother's Journey

A Brother’s Journey, Richard B. Pelzer, Warner Books, NY: Time Warner, 2005

It is not often that I am at a loss for words. Yet weeks after finishing A Brother’s Journey, I am struggling to find a way to describe the horror and sorrow the story evokes. Ordinary terms feel wrong. Children were tortured. Many of us were abused as children. Children are routinely burned with cigarettes, battered black and blue, and told they are stupid and in the way. Richard Pelzer and his brothers — especially David, or “IT,” as their mother insisted he be called — were treated to worse. Day after day, night after night, month after month, year after year. Think I am exaggerating, picture a child on the floor eating excrement because his mother is threatening to kill him if he fails to obey. Picture a child chained in a basement, more than half naked. Other crimes occurred that I cannot bear to repeat.
Horror is not strong enough.
Monster is not too weak. I do not use the term lightly. Like most people, I like to pretend monsters are not real. That they only exist in fairy tales and horror films. We know unspeakable things go on behind closed doors, but we are scared to think about them. They might make us question what it is to be human. When we are forced to acknowledge that monsters exist, self-protection sends us into fight-or-flight mode. What we can’t forget or cover over, we work to explain. The monster’s parents were probably monsters. An unusual type of brain damage occurred, or compassion was beaten out. These things happen. But the fact is, there is a great deal of evidence that monsters are often born that way. No one knows why. It is possible that no one ever will.
Horror is definitely not strong enough.
Anger. Revulsion. Fear. Loathing.
Only a robot or a rock could fail to cringe at the extreme and unrelenting punishment the author’s drunken and often hysterical mother heaped on him and his brothers. IT. Think starvation, think hidden from school authorities. Having your identity stripped away. Shrieking, berating, ridiculing, humiliating, shaming. Evil stalked in shape of a woman. Swooped down suddenly for no reason. David lived to tell his story before he passed away. We will never know how much it took out of him. A loving wife helped his brother Richard rescue himself. Mind you, it took years.
Good news–? Samaritans vastly outnumber monsters. If they can’t perform miracles, an astounding number come close. All have the courage to try.
Why would anyone read a story such as this?
For the courage.
Courage shines through on every page.
I think we all know there are different kinds. There is the kind that enables a person to conquer physical challenges. Astronaut Neil Armstrong’s heart had to be going a mile a minute when he climbed in a space capsule headed for the moon. How many of us think about climbing Mt. Everest or sailing a small boat around the world? That kind of courage is rare. The kind author Richard Pelzer managed to find in himself is rarer. More precious and lasting than the finest diamond. While we are basking in its glow, we forget for once that monsters are out there. It is one thing to ride a motorcycle over parked cars. It is quite another to open a vein and pour heart, blood, and soul onto paper or stand in front of a crowd of people and say, I was in hell. I stayed a long time. I was so scared and mixed-up that fell under the devil’s spell. Even served as her aide from time to time. Nevermind that I had no choice. Ragged remnants of guilt and shame will keep trying to trip me, I know. For a long time, I let them throw me. Now, thanks to my wonderful family, I may stumble, but will not fall. Knowing people who read my story want to lend support is putting more steel in my spine and joy in my heart.
Knowing I will never have to go back.
The author held it all in for years. He was close to breaking down when in a moment of pure desperation, he tearfully confided in his wife. To her everlasting credit, she listened without judging. Went on to help Richard fight his demons to the ground. Guilt, fear, and hate had torn at him as long as he could remember. Dogged his every step. She helped him see that he had to open the wounds so they could drain. He must not let them fester. He must not hold anything back. It was all or nothing time. Not just as a way of healing himself and as a apologetic tribute to his brother David, but to gain anti-abuse support and encourage more people to shelter children who had fallen in harm’s way. What took so much bravery was telling the story. What took the bravery to a whole new level was telling it straight. Unlock that door and throw it open. Admit you cooperated with the monster to the point that you yourself were in danger of becoming like her, Richard. Helped her torture others. Your own brother!
Yes, you were terrified. Yes, you had been in the throes of the symptoms that inevitably plague victims. SHE made it very plain that you would become the “whipping boy” if you didn’t go along. In time, in fact, that is exactly what happened. Poor David, who had always been the target of the worst abuse, was belatedly removed by social workers (who turned a blind eye where you were concerned). Guess who became target number one.
Writing this book was the act of a loving and caring person. One who knows he is cherished. Who has earned the privilege. A vital part of a circle of love that is widening like the circle a well-thrown pebble creates in a stream. The sun is shining now. People are watching. Asking questions and nodding their heads. Richard, I hope the sun shines for you all the rest of your days. You are making such a difference.
If he can bear to write more, it might help to know more about the mother’s background. She is described as having been a socialite. Later in the book, we learn that her relationship with her mother was flawed. How flawed was it, you have to wonder. Why? Was there a crucial turning point? For most of us, there is. Is it possible she could have turned out well, had circumstances been different? The father was barely in the picture. It would be good to know more about him. What were previous generations like? Knowing what causes people to harm themselves and others may not prevent recurrence. But it can’t hurt. It is not a perfect world that we live in. Still, there are cultures where monsters appear to be unknown. Where kindness rules, and respect. Where vulnerability is not an invitation to attack. We need to know more. Education is so often key. Books such as A Brother’s Journey go miles toward opening our eyes and strengthening our resolve. Let us hope they inspire other victims to come forward. Maybe their parents will come forward. Maybe we will be able to help.
So many questions. So few answers.
So much pain.
Strength, courage, compassion.
I hope you will read the book. If will leave you shocked and disturbed, it is true. You will also find yourself looking harder for signs that children are in trouble.
Inspired.

 

Phyllis Jean Green