Dream Psychology

its discharge. We may claim the same function for the overlying sensory
organ of the Cons. system. By assuming new qualities, it furnishes a new
contribution toward the guidance and suitable distribution of the mobile
occupation quantities. By means of the perceptions of pleasure and pain,
it influences the course of the occupations within the psychic
apparatus, which normally operates unconsciously and through the
displacement of quantities. It is probable that the principle of pain
first regulates the displacements of occupation automatically, but it is
quite possible that the consciousness of these qualities adds a second
and more subtle regulation which may even oppose the first and perfect
the working capacity of the apparatus by placing it in a position
contrary to its original design for occupying and developing even that
which is connected with the liberation of pain. We learn from
neuropsychology that an important part in the functional activity of the
apparatus is attributed to such regulations through the qualitative
excitation of the sensory organs. The automatic control of the primary
principle of pain and the restriction of mental capacity connected with
it are broken by the sensible regulations, which in their turn are again
automatisms. We learn that the repression which, though originally
expedient, terminates nevertheless in a harmful rejection of inhibition
and of psychic domination, is so much more easily accomplished with
reminiscences than with perceptions, because in the former there is no
increase in occupation through the excitement of the psychic sensory
organs. When an idea to be rejected has once failed to become conscious
because it has succumbed to repression, it can be repressed on other
occasions only because it has been withdrawn from conscious perception
on other grounds. These are hints employed by therapy in order to bring
about a retrogression of accomplished repressions.

The value of the over-occupation which is produced by the regulating
influence of the Cons. sensory organ on the mobile quantity, is
demonstrated in the teleological connection by nothing more clearly than
by the creation of a new series of qualities and consequently a new
regulation which constitutes the precedence of man over the animals. For
the mental processes are in themselves devoid of quality except for the
excitements of pleasure and pain accompanying them, which, as we know,
are to be held in check as possible disturbances of thought. In order to
endow them with a quality, they are associated in man with verbal
memories, the qualitative remnants of which suffice to draw upon them
the attention of consciousness which in turn endows thought with a new
mobile energy.

The manifold problems of consciousness in their entirety can be examined
only through an analysis of the hysterical mental process. From this
analysis we receive the impression that the transition from the
foreconscious to the occupation of consciousness is also connected with
a censorship similar to the one between the Unc. and the Forec. This
censorship, too, begins to act only with the reaching of a certain
quantitative degree, so that few intense thought formations escape it.
Every possible case of detention from consciousness, as well as of
penetration to consciousness, under restriction is found included within
the picture of the psychoneurotic phenomena; every case points to the
intimate and twofold connection between the censor and consciousness. I
shall conclude these psychological discussions with the report of two
such occurrences.

On the occasion of a consultation a few years ago the subject was an
intelligent and innocent-looking girl. Her attire was strange; whereas a
woman's garb is usually groomed to the last fold, she had one of her
stockings hanging down and two of her waist buttons opened. She
complained of pains in one of her legs, and exposed her leg unrequested.
Her chief complaint, however, was in her own words as follows: She had a
feeling in her body as if something was stuck into it which moved to and
fro and made her tremble through and through. This sometimes made her
whole body stiff. On hearing this, my colleague in consultation looked
at me; the complaint was quite plain to him. To both of us it seemed
peculiar that the patient's mother thought nothing of the matter; of
course she herself must have been repeatedly in the situation described
by her child. As for the girl, she had no idea of the import of her
words or she would never have allowed them to pass her lips. Here the
censor had been deceived so successfully that under the mask of an
innocent complaint a phantasy was admitted to consciousness which
otherwise would have remained in the foreconscious.

Another example: I began the psychoanalytic treatment of a boy of
fourteen years who was suffering from _tic convulsif_, hysterical
vomiting, headache, &c., by assuring him that, after closing his eyes,
he would see pictures or have ideas, which I requested him to
communicate to me. He answered by describing pictures. The last
impression he had received before coming to me was visually revived in
his memory. He had played a game of checkers with his uncle, and now saw
the checkerboard before him. He commented on various positions that were
favorable or unfavorable, on moves that were not safe to make. He then
saw a dagger lying on the checker-board, an object belonging to his
father, but transferred to the checker-board by his phantasy. Then a
sickle was lying on the board; next a scythe was added; and, finally, he
beheld the likeness of an old peasant mowing the grass in front of the
boy's distant parental home. A few days later I discovered the meaning
of this series of pictures. Disagreeable family relations had made the
boy nervous. It was the case of a strict and crabbed father who lived
unhappily with his mother, and whose educational methods consisted in
threats; of the separation of his father from his tender and delicate
mother, and the remarrying of his father, who one day brought home a
young woman as his new mamma. The illness of the fourteen-year-old boy
broke out a few days later. It was the suppressed anger against his
father that had composed these pictures into intelligible allusions. The
material was furnished by a reminiscence from mythology, The sickle was
the one with which Zeus castrated his father; the scythe and the
likeness of the peasant represented Kronos, the violent old man who eats
his children and upon whom Zeus wreaks vengeance in so unfilial a