The Divine Comedy

THE DIVINE COMEDY

OF DANTE ALIGHIERI
(1265-1321)


TRANSLATED BY
HENRY WADSWORTH LONGFELLOW
(1807-1882)




CREDITS


The base text for this edition has been provided by Digital Dante,
a project sponsored by Columbia University's Institute for Learning
Technologies.  Specific thanks goes to Jennifer Hogan (Project
Editor/Director), Tanya Larkin (Assistant to Editor), Robert W. Cole
(Proofreader/Assistant Editor), and Jennifer Cook (Proofreader).

The Digital Dante Project is a digital 'study space' for Dante studies and
scholarship.  The project is multi-faceted and fluid by nature of the Web.
Digital Dante attempts to organize the information most significant for
students first engaging with Dante and scholars researching Dante.  The
digital of Digital Dante incurs a new challenge to the student, the
scholar, and teacher, perusing the Web: to become proficient in the new
tools, e.g., Search, the Discussion Group, well enough to look beyond the
technology and delve into the content.  For more information and access to
the project, please visit its web site at:
http://www.ilt.columbia.edu/projects/dante/

For this Project Gutenberg edition the e-text was rechecked.  The editor
greatly thanks Dian McCarthy for her assistance in proofreading the
Paradiso.  Also deserving praise are Herbert Fann for programming the text
editor "Desktop Tools/Edit" and the late August Dvorak for designing his
keyboard layout.  Please refer to Project Gutenberg's e-text listings for
other editions or translations of 'The Divine Comedy.'  Please refer to
the end of this file for supplemental materials.

Dennis McCarthy, July 1997
imprimatur@juno.com




CONTENTS


Inferno

     I. The Dark Forest.  The Hill of Difficulty.  The Panther,
        the Lion, and the Wolf.  Virgil.
    II. The Descent.  Dante's Protest and Virgil's Appeal.
        The Intercession of the Three Ladies Benedight.
   III. The Gate of Hell.  The Inefficient or Indifferent.
        Pope Celestine V.  The Shores of Acheron.  Charon.
        The Earthquake and the Swoon.
    IV. The First Circle, Limbo: Virtuous Pagans and the Unbaptized.
        The Four Poets, Homer, Horace, Ovid, and Lucan.  The Noble
        Castle of Philosophy.
     V. The Second Circle: The Wanton.  Minos.  The Infernal Hurricane.
        Francesca da Rimini.
    VI. The Third Circle: The Gluttonous.  Cerberus.  The Eternal Rain.
        Ciacco.  Florence.
   VII. The Fourth Circle: The Avaricious and the Prodigal.
        Plutus.  Fortune and her Wheel.  The Fifth Circle:
        The Irascible and the Sullen.  Styx.
  VIII. Phlegyas.  Philippo Argenti.  The Gate of the City of Dis.
    IX. The Furies and Medusa.  The Angel.  The City of Dis.
        The Sixth Circle: Heresiarchs.
     X. Farinata and Cavalcante de' Cavalcanti.  Discourse on the
        Knowledge of the Damned.
    XI. The Broken Rocks.  Pope Anastasius.  General Description of
        the Inferno and its Divisions.
   XII. The Minotaur.  The Seventh Circle: The Violent.
        The River Phlegethon.  The Violent against their Neighbours.
        The Centaurs.  Tyrants.
  XIII. The Wood of Thorns.  The Harpies.  The Violent
        against themselves.  Suicides.  Pier della Vigna.
        Lano and Jacopo da Sant' Andrea.
   XIV. The Sand Waste and the Rain of Fire.  The Violent against God.
        Capaneus.  The Statue of Time, and the Four Infernal Rivers.
    XV. The Violent against Nature.  Brunetto Latini.
   XVI. Guidoguerra, Aldobrandi, and Rusticucci.  Cataract of
        the River of Blood.
  XVII. Geryon.  The Violent against Art.  Usurers.  Descent into
        the Abyss of Malebolge.
 XVIII. The Eighth Circle, Malebolge: The Fraudulent and
        the Malicious.  The First Bolgia: Seducers and Panders.
        Venedico Caccianimico.  Jason.  The Second Bolgia:
        Flatterers.  Allessio Interminelli.  Thais.
   XIX. The Third Bolgia: Simoniacs.  Pope Nicholas III.
        Dante's Reproof of corrupt Prelates.
    XX. The Fourth Bolgia: Soothsayers.  Amphiaraus, Tiresias, Aruns,
        Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente.
        Virgil reproaches Dante's Pity.  Mantua's Foundation.
   XXI. The Fifth Bolgia: Peculators.  The Elder of Santa Zita.
        Malacoda and other Devils.